January’s Guest Storyteller, William D. Holland

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William D. Holland is the author of five full-length novels, one non-fiction book about the craft of writing, and five novellas in the “Billy the Kid” chronicles.  He can be found hanging out on his website https://artistrywithwords.com/ when he isn’t tending to his urban farm in Olympia, Washington.

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Sarah says: I’m delighted to welcome as this month’s guest storyteller, one of my newer blogging friends, William (his WordPress username Billybuc). I really look forward to his weekly Tuesday posts that are always packed full of interesting and informative things.

Time to hand over to him now,  for a two-sentence hook, followed by an extract from his latest novel, Shadows Over A Hangman’s Noose…   

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HOOK 

Eli Baker has dreams, and Melanie Hooper has visited him in one, along with four other orphans who are also missing.

The search is on, and Eli Baker is the right man to delve into the case of the missing orphans; however, Eli soon finds that evil acts are not only performed by evil men, but by Evil itself.

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EXCERPT

“I’m no psychiatrist or psychologist.  I don’t know a damned thing about how the human mind works, why one abuse victim will become a counselor while another will become an abuser, why serial killers snap and feel a need to destroy innocence, or why one day a soccer dad buys an AR-15 and unloads a magazine in a crowded mall.  All I know is the aftermath stains us all forever, and the whys will visit us in our dreams until the day we draw our last breath.

The second case I had as an army investigator was a child abuse case, a little nine-year old girl in the hospital for a broken arm, doctors and nurses suspicious about bruises on her upper arms.  They made the phone call that dragged me out of bed at two a.m. on a muggy night near Fort Hood, Texas.  The girl, curly blond locks pasted to her forehead, her mother holding her good hand, her two sisters standing nearby, told me she fell down the stairs and she was so sorry she bothered everyone, and mom nodding and saying her daughter was just clumsy like her mommy, laughing with a little too much nervous energy to appease me.

I coaxed an address out of the mother, drove to the off-post housing and found dad, a master sergeant, sleeping the sleep of the innocent.  He wasn’t too happy, me waking him up, and he was even less happy when I mentioned the bruises on his daughter’s arms, and he was downright pissed when I asked him if he had anything to do with those bruises.  He pulled his right arm back, fixing to turn out my lights with a massive punch, and I snap-kicked his kneecap.

That was ten years ago. The master sergeant is still in prison on three counts of child abuse, a history of beating his three kids in some confused attempt to quiet the demons only he could see and hear.

No, I’m no psychiatrist.  All I know is the stain never goes away, and rabid dogs need to be shot.”

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From “Shadows Over A Hangman’s Noose,” the third in the “Shadows” series, available in hard copy and Kindle at Amazon.

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You can find the links to previous guest storyteller posts at 

Friday Fictioneers — Whiskers

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They called me Whiskers, but in my head I was The Terminator, rat and mouse zapper extraordinaire.

Master had always paid me my dues with gourmet cat food, until his employees at the flour mill went on strike on health and safety grounds, after the death of a worker from respiratory disease.

Following a fortnight’s standoff, Master downgraded my dinners to the supermarket’s own brand. Fine punishment, considering my workload had increased. So I went on strike, too.

The last I saw of Master, he was a skeleton, the rodents had trebled in size, and I took instant early retirement.

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Friday Fictioneers: 100 word stories
Photo prompt: copyright ©  Sandra Crook

Friday Fictioneers — Uncle Bogeyman

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“If you don’t behave yourself, the bogeyman will come and get you.”

Toby sat up in his bed hugging his knees, his back pressed to the headboard. The only comfort was his old bear, pressed against his belly, out of sight behind his legs’ defensive drawbridge. “Bogeyman? No.”

“He’s outside, lurking in the shadows, hungry for you. Move over now. Let your uncle in for a hug.”

Uncle Rob’s ragged breath stinks of old rugs and tobacco. He tugs at the drawbridge with pudgy hot hands. “Shush! Stop blubbering. This is our secret. I’ll call the bogeyman if you tell.”

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Friday Fictioneers: 100 word stories
Photo prompt: copyright © Shaktiki Sharma

Review: Christy Birmingham’s Poetry Collection “Versions of The Self”

 

Versions of the Self

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THE POETRY COLLECTION AS DESCRIBED BY CHRISTY 

Imagine a shift to the way you see the world that arises through poetic narration. Imagine the world, at its base level, is a collection of selves. These selves collide, disperse, intermingle, and share themselves in lines of free verse. Such is the premise of Versions of the Self, poetry that assumes multiple types of selves exist and relate in ways that alter them. Each of the eight chapters looks at a different type of self, including the singular “I” and romantic interactions. These unique 80 poems definitely color themselves outside of the lines.

MY REVIEW

Christy Birmingham has written her poetry collection Versions of The Self from the first-person viewpoint because it’s about her personal journey. At first I found the constant use of the word “I” off-putting, but my initial reaction fast metamorphosed into feeling privileged, as a reader, to share in Christy’s honest account of putting herself back together, having had a relationship with someone who did his best to destroy her.

She tells of her deep love for this man and his gradual undermining of her confidence through mind-games and abuse, before leaving her for another woman. The form of manipulation she describes him inflicting upon her, is an archetypical use of what psychologists call “gaslighting”, in which the perpetrator’s tactics of manipulation ultimately cause the victim to no longer trust her own judgment. In fact, Christy does have a BA in Psychology and it’s possible that her area of study has retrospectively contributed towards her ability to express in words her traumatic experience.

What follows is an account of a woman lying in fragments, who must somehow learn to see herself as a whole person again and think herself worthy of love, or able to trust another to give of her love to him. It makes incredibly emotive reading, as she makes a detailed examination of the fragments, draws them together, starts to trust her own judgment, and rediscovers joy. It’s a redefining of her as a person, as she comes to accept that she cannot undo her experiences or lose the memory of them, but she can learn to move on beyond them and be a valid human being, with so much to give to the world. In fact, what I loved about Christy’s account was that not for a moment did she wallow in self-pity. Often, I wanted to give her a big hug and say “you are so, so brave. Go for it, gal!”

This poetry collection makes such an emotive read and would speak volumes to people who have or still are experiencing what Christy describes. I loved the way the writing flowed along in free verse with such forward momentum, occasionally pausing on its journey for detailed contemplation of a tiny detail. Christy has such a unique way of organising words and a fresh way of describing exactly what she means, but from a lateral slant.

A highly recommended read.

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Connect with Christy at her wonderful blog Poetic Parfait.

And on social media…

Twitter
Google +
Goodreads
Pinterest

Versions of The Self (kindle & paperback) is available at
amazon.com
amazon.co.uk
amazon.ca
Plus other Amazon stores