Novel Writing Winter (NWW) 2013 — quote of the week: “The authorities won’t approve of that!”

The first week in February has got off to a positive start, with me managing to organise myself into a work routine not achievable during the first month of Novel Writing Winter (NWW) 2013. I’ve written from 11 a.m. to 3.30 p.m every day, only allowing myself to go on-line to check facts relevant to my work in progress.

I’m not going to disclose what my husband was referring to when he said “the authorities won’t approve of that”, other than to say it was one of those “how-to-do” things freely available on the internet. He seemed relieved when I assured him I wasn’t intending to write a step-by-step account of this particular procedure but just needed to get my head around the subject to prevent some smart arse reader accusing me of talking crap.

When I started my latest work, research was far from my mind. Since then, the story has grabbed hold of me and demands I put an end to playing it safe. This is a challenge I can’t afford not to take. A beta reader of my previous novel (and the novel before that) said to me “this is great, but when are you going to write a serious work?” By serious, she didn’t mean a novel devoid of humour, but one that raised the literary stakes and took more risks.

There are lots of “how-to-do” books out there about the writing process. Quite a few of them are written by people who’ve never had a work of fiction published themselves. I think the best way to learn about writing fiction is to read, read, and read an eclectic range of published fiction, and to write, write, and write, all the time raising the bar.

A psychologist friend of mine once remarked, “Skills acquired through trial and error learning were the best remembered, as long as you didn’t kill yourself in the process”.

What risks have you taken this week?

Novel Writing Winter (NWW) 2013 — Week 4: breathe, relax…

writing overdose
square eyes and insomnia
fresh air required

Writer's Insanity#1

For the last week, I’ve experienced the worst insomnia in my life. It’s not that I’m actively mulling over my novel-in-progress when I should be sleeping, any more than I’m thinking about paying the bills, or what various members of my family are up to, or how pissed off I am with the Prime Minister. Rather, it’s a background buzz in my subconscious — the brain’s equivalent of white noise. If I could amplify this noise, it would probably contain much to discourage.

  • You’re too old for this.
  • You messed up at school, so what makes you think you can write the type of literary novel students study at University?
  • Why put yourself through this?
  • Take it easy — read someone else’s novel, watch tv, chinwag with your friends over coffee.

Four weeks into NWW, my word count has reached 5,000, which, at first glance, might not seem very much. In the past,  I would have slammed out about 90,000 words in 3 months, after which I’d have spent between 1-3 years pruning and revising until complete boredom set in, consuming all my original love for the story. Some of this fiddling with my writing was a necessary part of the learning experience, but the rest of it was to do with lack of confidence in my product.

With my current novel, I’ve taken a completely different approach, contemplating and crafting every sentence as I go, which means my novel will take about 10 months to write and 2 months to revise/edit. A novel in a year.

This morning, after returning from a bracing winter walk, I did a read through of my opening 24 pages and discovered not a single word I wanted to change. This is what I call progress. So it’s onward with Novel Writing Winter (NWW) 2013, and no more sleepless nights

Next on the agenda — to email one of my friends, who’s a genius scientist. In the name of research, I need to pick his brain about genetics, environmental pollution, and plagues.

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To find out more about Novel Writing Winter (NWW) 2013, visit https://sarahpotterwrites.wordpress.com/novel-writing-winter-nww-2013/

Novel Writing Winter (NWW) 2013 — my first week: battling with self-doubt and procrastination

Now what did I say in a earlier post https://sarahpotterwrites.wordpress.com/2012/12/28/novel-writing-winter-nww-2013-survival-basics/about avoiding showing your work in progress to anyone, especially friends or family, and trusting in your own judgement?

A couple of days ago, while participating in the English custom of afternoon tea with my family, my grown-up son, Joshua, gave me a ticking off. Our conversation went something like this:

S : What if I write my novel and everybody hates it?
J : You’ve only been working on it for a week and you’re already doubting yourself.
S: Could you have a look at what I’ve written so far, to see if it works?
J: You said you weren’t going to show it to anyone until you finished it.
S: But it’s such a strange novel. What if people don’t understand it, or find it boring?
J: You know if I look at it and pass my opinion, you’ll want to know all the whys and wherefores.
S: I don’t want an in-depth critique. I just want to know if you find it in the least interesting.
J: Do you find it interesting?
S: Yes, but I’m feeling overwhelmed by how difficult it is to write.
J: Well then, write a bit each day, even if it’s only a few paragraphs, and see where it leads.

Yesterday, I wrote a few paragraphs, the quality of which pleased me, but then I spoiled everything by checking my word count so far. And what did I say in my earlier post about not obsessing over the word count and just getting the bare bones of the story down? To check a word count on a daily basis can prove as unedifying as weighing yourself too often when you’re on a diet. From now on, it’s once a week only.

Today, I dared compare my novel to those of the award-winning novelist Rose Tremain. Yes, and yet again I’m not following my own advice. The result of this comparison was that I temporarily abandoned my latest ambitious project and spent all morning reworking a few pages of my first rather mediocre novel (written twenty years ago), having decided myself incapable of writing a literary masterpiece like Rose Tremain.

At three o’clock this afternoon, I found myself floundering with the old work and  returned to the novel I’m meant to be working on. Casting my eye over it, I decided it really wasn’t that bad — not as brilliant as Rose Tremain’s novels, but not as bad as some others.

Onward, I say…

P.S. By the way, I’ve started a page listing participants’ links so you can find each other. Please check out the page https://sarahpotterwrites.wordpress.com/nww-participants-links/ and let me know if any information needs updating, including adding any further relevant links.


Novel Writing Winter (NWW) 2013 – be my guest, Catherine Z!

Catherine Zgouras is an English Language Teacher (ELT) who writes books for her profession and is presently trying to enter the world of children’s fiction. We first met through an on-line writing colony — http://www.litopia.com — and now belong to the same closed, invitation-only, writing group on Facebook.

In Catherine’s words, this is what her novel-in-progress is about:

Ilda is a beautiful but very mean witch. She zaps everyone and anyone in sight. Somehow she manages to get stuck up a pole and becomes the star attraction of her town. Everyone refuses to bring her down because of all her past nasty deeds.  Her dog, Rottenbud, goes on an adventure to bring back Priscilla, their long-lost Siamese companion. On their return, they manage to get Ilda down from the pole, but has she changed for the better?